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SSL E-Channel

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Waves SSL E-Channel
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Description

The SSL E-Channel delivers the incomparable sound of the Solid State Logic 4000-series console’s all-discrete design and its Class A, VCA chip. It’s a slice of the world’s greatest hitmaking machine, in your computer. The equalization section of the SSL E-Channel is based on the renowned Black Knob equalizer, developed in 1983 with legendary producer George Martin. It features a High Pass Filter, Low Pass Filter, and a four-band parametric equalizer. The dynamics section features a soft-knee compressor/limiter and an expander/gate modeled on the SSL LS611E. Like the original, it can be placed before or after the equalization section, and makeup gain is automatically applied to maintain a steady output level.

Discussions

Your top 12 plugins > daily use

In no particular order… Waves SSL E-Channel Waves SSL G-Equalizer Waves SSL G-Master Buss Compressor Waves - Super Tap: Waves - Renaissance Compressor Waves - Renaissance Vox Massey - Tapehead Saturation/Distortion Massey - CT4 Compressor Massey - L2007 Mastering Limiter Digidesign - TL Space Digidesign - EQ III Digidesign - Dynamics III Cheers N

DMGAudio TrackComp 2

I mean, that's normal behavior. What's different about the TrackComp2 model is that it supports release times way beyond the SSL E circuit. Also, don't forget that the original circuit features (imperfect) auto gain compensation so that the gain change isn't that drastic. Enable it by setting the AGC to "DESK."

Understanding the "why" of Compressor Attack Times

...in classic mode, one session using DMG TrackComp in E Channel mode, one using SSL Native Channel Strip, one Waves SSL E-Channel, and another on the stock Logic compressor) Though the "transparent" part I am not 10000% sure of...it *sounds* pretty transparent, and they were said by the mixers to be used for level control,...

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Reviews

5 /5
5 stars 1
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3 stars 0
2 stars 0
1 stars 0
Sound Quality
Ease of Use
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Bang for Buck

When I first came up I worked a fair bit on the old SSL behemoths, E and G-series consoles were the norm in every big studio (although many were replacing them with the J).

I didn't have much faith in the analog emulation hype of the late naughts, and my expectations were low when a friend first...

by zephonic

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